Notice All That Disappears
For more than four decades, Jorie Graham’s poetry has documented the complicated, multidimensional, ever more uncertain sallies of human perception into the bristling presence of trees, birds, streams. Virginia Woolf followed Mrs. Dalloway and others over the course of 24 hours in London. Graham, whose lines are Woolf-like in their walks about the page, tracks a minute in the life of a raven. Her forays also lead her to strangers, art, angels—and recent poems have ventured to speak in the uncanny idioms of artificial intelligence and machines. The free play of her attention gives rise to precise descriptions of what she sees, hears, smells, and touches, but the unfolding drama of consciousness is always an indispensable part of the poem.
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