Writers of literary, lyrical nonfiction negotiate complex power dynamics with their selves, communities, subjects, and readers. In this workshop we will conduct an intensive study of the craft techniques writing of creative nonfiction, focusing on the balance between the politicization of witness, descriptive detail, and narrative voice. Given that one of the great imaginative allures of lyric prose is that it can invent its audience as much as it can invent its speaker, how do writers of creative nonfiction contend with social context? What are the ways in which we can write and revise lyrically that can allow our work to depart from, evade and amplify the experiential in its collaborations with language, history, and place? We will do some generative exercises and workshopping (each writer will be workshopped at least twice per semester) as well as discussion, of course. Participants will generate drafts, revise new work, and investigate the fundamentals of the genre of creative nonfiction.
Supplemental Application Information: Applicants are requested to submit 3-10 pages of prose (double-spaced), a 2-3 page cover letter in which they may address how long they’ve been writing seriously, what previous study they have done in literary arts, any additional experiences that seem relevant to their application, what type of direct criticism and revision they are seeking from a workshop, craft approaches they would like to know more about, and discussion of any other writers in which the writers’ craft and/or ways in which the writers’ work has served as a model for the applicant’s own literary ambitions.