Our thoughts and feelings about identity, self-expression, and the power of the imagination draw on the British Romantic poetry of the Long Eighteenth Century--whether we've read any or not. Focusing on John Keats (his key poems, and his key ideas, about 'negative capability', the 'camelion poet', and so on), this course makes unconventional connections into the twentieth, and twenty-first century. Tracking issues of race, class, gender and sexuality, we'll bounce from Keats into war verse; African-American poetries; world/postcolonial writing; the literature of social class; feminist experimentalism; and constructions of masculinity. Concentrators will learn how to analyze poetry in both closed and open forms.
Note: This course satisfies the English Concentration "Poets" requirement for the Class of 2022; formerly offered as English 58: Poets.
Written a century apart, the poems of Seamus Heaney and Thomas Hardy create an urgent call and response between earth and under-earth. The poets share metrical virtuosity, compressed lyric forms, the unfolding of personal history within public crisis and transformation, and the recognition that the acuity of sentience - the daily practice of exquisitely precise perceptual acts - is the ethical center of our brief stay above ground.