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    English 90b. James / Baldwin

    Instructor: Jesse McCarthy
    Monday, 9:45-11:45am | Location: TBA
    Enrollment: Limited to 15 students

    At first glance Henry James and James Baldwin may seem worlds apart. Yet these two enormously influential writers share much in common. Both are New Yorkers; both spent a good deal of their lives as expatriates; both are celebrated for their queerness, a feature of their style as much as their sexuality. Both were serious, moralizing, and passionate observers of the ‘American Scene’; both writers are deeply committed to investigating and exploring the privacy of consciousness and the currency of experience. Henry James was James Baldwin’s favorite writer. Colm Tóibín has called Baldwin, “the Henry James of Harlem.” What attracted Baldwin to James across their vast racial and class differences? What lessons about the art of fiction can we learn by reading each in the light of the other? Not only the Jamesian influence on Baldwin—but what Baldwin allows us to see might be missing or muted in James. We will think very closely about the subject that deeply occupied both of them: America. And what America means from perspectives acquired from outside of America, looking back in. We will also investigate the expression and communication of sexuality, gender, race, class, money, politics and taste alongside assorted criticism, reviews, and other essays of interest. 

    English 179h. The Harvard Novel

    Instructor: Beth Blum
    Tuesday & Thursday, 10:30-11:45am | Location: TBA
    Course Website

    This course introduces the genre of the “Harvard novel,” from W.E.B. Du Bois's notes toward his fictional work "A Fellow of Harvard" to Elif Batuman’s The Idiot and Zadie Smith’s On Beauty, in order to examine Harvard’s cultural meaning and significance. It brings together novels (and films) where Harvard offers the narrative setting, supplies a character’s backstory, or even serves as a character in its own right. We will address themes of tradition, access, privilege, race, anxiety, competition, and canonicity.  

    English 177am. American Horrors

    Instructor: Ju Yon Kim
    Tuesday & Thursday, 12-1:15pm | Location: TBA

    This course will examine horror—defined expansively to include the uncanny, the abject, the monstrous, and the ghostly—in American literature, considering its formal and aesthetic implications and its relationship to major cultural and social issues. What are the methods and theories that critics have used to study horror in literature? How and to what effect have works of American literature used horror to reflect on contemporary social concerns or to depict historical events? We will explore a range of literary works from the nineteenth century to the present next to critical and theoretical studies of horror and the Gothic.

    Note: This course satisfies the English Concentration "Migrations" requirement for the Class of 2022 and was formerly offered as English 60a. Migrations: American Horrors.