MEET THE CREATIVE WRITING FACULTY
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| ELIZABETH ADAMS | ||||||
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Liz Duffy Adams’ plays have been produced Off Broadway and around the country, including at Seattle Rep and the Magic Theater. Honors include a New Dramatists residency (2001–2008), Lillian Hellman Award, New York Foundation for the Arts Fellowship, Will Glickman Award, and MacDowell Colony residencies. Publications include Or, in Smith & Kraus’ “Best Plays Of 2010,” and Poodle With Guitar And Dark Glasses in Applause’s “Best American Short Plays 2000-2001.” Ms. Adams’ work in the 2012/2013 season will include the premiere of The Buccaneers at Children’s Theater Company, Minneapolis; a French translation of her Train Play at the Des Voix Festival in Paris; and a workshop of A Discourse on the Wonders of the Invisible World at the PlayPenn festival in Philadelphia.
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| JOSH BELL |
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| DARCY FREY |
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Darcy Frey is the author of The Last Shot (Houghton-Mifflin, 1994), which was named a New York Times Notable Book of the Year, and George Divoky's Planet (forthcoming from Pantheon). He has also been a Contributing Editor for Harper's Magazine and a longtime Contributing Writer for The New York Times Magazine, for which he has written about science, medicine, technology, music, art and the environment. His essays and journalism have been anthologized in Best American Essays and Best American Science Writing. His honors include a National Magazine Award, the Livingston Award for Young Journalists and an award for public service from the Society for Professional Journalists.
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| JORIE GRAHAM | ||||||
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Jorie Graham, Boylston Professor of Rhetoric and Oratory, is a former director of the Writer's Workshop at the University of Iowa. Her 1996 volume, The Dream of the Unified Field: Selected Poems, 1974-1994, won the Pulitzer Prize. Other collections of poems include Never (Harper Collins, 2002), Overlord (Ecco, 2005), Sea Change (Ecco 2008), and her most recent work Place (Ecco 2012).
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| AMY HEMPEL | ||||||
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Amy Hempel, Briggs-Copeland Lecturer in Fiction, has taught at Bennington College, Brooklyn College, The New School, and Princeton University. Her Collected Stories was named as one of The New York Times' Ten Best Books of the year.
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| BRET JOHNSTON | ||||||
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Bret Anthony Johnston, Director of Creative Writing, is the author of the bestselling Naming the World: And Other Exercises for the Creative Writer and the internationally acclaimed Corpus Christi: Stories, both from Random House. Named a Best Book of the Year by The Independent of London and The Irish Times, the collection has won numerous awards, including the Glasgow Prize. His work appears in magazines such as The Paris Review, Esquire, The New York Times Magazine, and Tin House. In 2006, he received a National Book Award honor for young novelists. For more information, his website is: www.bretanthonyjohnston.com
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| DANIEL RUBIN | ||||||
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After many years writing for professional theater companies as well as scripting industrial films and children's television, Danny Rubin began writing screenplays. His screen credits include "Hear No Evil," "S.F.W.," and "Groundhog Day," for which he received the British Academy Award for Best Screenplay and the Critics' Circle Award for Screenwriter of the Year, as well as honors from the Writers Guild of America and the American Film Institute. Rubin has taught screenwriting in Chicago at the University of Illinois, Columbia College, and the National High School Institute; at the Sundance Institute in Utah; the PAL Screenwriting Lab in England; the Chautauqua Institution in New York; and in New Mexico at the College of Santa Fe. For more information see Danny's website and blog (the "Blogus groundhogus") at www.dannyrubin.com
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| PETER SACKS | ||||||
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Peter Sacks is the author of five collections of poetry, In These Mountains (Macmillan, 1985), Promised Lands (Viking/Penguin,1990), Natal Command (Chicago, 1998), O Wheel (Georgia, 2000), and Necessity (W.W. Norton & Company, 2002); and of The English Elegy: Studies in the Genre from Spenser to Yeats (Johns Hopkins, 1986). His poems have appeared in The New Yorker, The New Republic, The Nation, Boulevard, The Paris Review, and other publications.
Courses: No creative writing courses offered in 2012-2013. |
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